In a nutshell

Monday to Friday, I normally post book, film or TV reviews. Rest of the time, it's general mayhem. Expect frequent gushing about handsome actors (mainly Richard Armitage) and Jane Eyre. Also: this blog won't display correctly in IE, go fig.
Certified member of the Estrogen Brigade since 1996!

Showing posts with label Andrew Lincoln. Show all posts
Showing posts with label Andrew Lincoln. Show all posts

Monday, 5 December 2011

Enduring Love (2004)

Film review: Enduring Love (2004), directed by Roger Michell

A happy couple, Claire (Samantha Morton) and Joe (Daniel Craig) are on a picnic in a field somewhere near Oxford. They witness a hot air balloon crash landing in the field, and Joe tries to help the people on board. A child is still on board when a gust of wind makes the balloon take flight, and Joe and a number of other blokes helping out take flight with it, clinging on for dear life ... All except one manage to let go before they're too high up. One of them doesn't, let's go and plummets to his death.

After this, Joe gets a bad case of survivor's guilt and keeps going over ways things could have turned out without the man dying. (The kid was fine, by the way - he managed to pull himself together and pulled the right cord, bringing the balloon down a few miles away.) This obsession starts to create a strain on the relationship with Claire. At the same time, Joe is approached by one of the other witnesses, Jed (Rhys Ifans), who doesn't seem to want to leave him alone for some strange reason ...

This psychological thriller also features Bill Nighy as a friend of the couple, Andrew Lincoln as (I think?) a friend of Joe's and Ben Whishaw as one of Joe's students.

Spoilerage about the "some strange reason" ahead.

Thursday, 27 May 2010

Strike Back - final two episodes

Ultimate Hero Mr. Porter did his final turn on TV last week, and I have to admit, this was probably the ones I enjoyed most. There was no glazing over family matters, because they simply didn't have his family involved at all, and the story... was definitely Spooks territory.
Porter goes to Afghanistan and pretends he's an arms dealer to find his way to a British guy called Gerald Baxter, who has become chummy with the Taliban. He finds him, they get captured by the Americans, they escape and go to the lair of the up-and-coming leader of the area... and all the while, back in London, Collinson is trying to negotiate with an American [Embassy or Consulate, I forget which] bloke, while the ladies try to figure out who killed the men back in Basra all those years ago.

"When I talked about 'bromance', that's not what I had in mind!"

Things happen to keep you interested, and if not, at least there's plenty of Porter to go around - and Toby Stephens! Oh, that man ought to give a certain actress much-needed lessons in American accents! Always a pleasure to see him on screen, even if he's not in tight breeches and cravat here, but rather a plain suit and tie. Is he a bad guy, though? That's the question! Or not, actually, let's be honest - think about it - since when were the Americans really up to any good in Spooks? With this episode being decidedly Spooksy, you do the math.

Ewen Bremner repeated his Spooks 8.6 role. He wasn't trying to defraud a bank here, he was messing with missiles, but hey, a Scottish computer geek who's lost the plot and fears for his family, is annoying and does stupid things. It's the same character.

"Baxter, WTH? 'heading to secret lair now lol #roadtrip' - Seriously?"

Even though he says his name is Josef/Yussuf or however you want to spell it, he hasn't become a convert to Islam. Instead, he's converted to the cult of Sharq, the man it's considered will rule the roost eventually. He's played by Alexander Siddig, who also made an appearance in Spooks, but way before Lucas's time - episode 2.2 - and is probably most known for being Dr. Bashir in Star Trek: Deep Space Nine. All I can say about him is: wow, that's one handsome bloke!

"So, this blogger lady says you're handsome, Shaaq. I don't see the appeal myself."
"She's far too kind. I don't look half as good from this angle."

Which brings us nicely on to Mr. Hero Man! Strung up like Christ on the cross. It probably was supposed to symbolise that, come to think of it, with Porter as a crucified Christ figure, considering the false accusations about Basra and all that - but then again, is that giving the hitherto not-very-brainy film makers too much credit? Look at him there, all tied up - try to ignore the inevitable Gisborne flashbacks and ensuing swooning - and notice the chest. Hard to miss, it being bare so often. Notice how smooth it is. Then compare it with scenes before and after, whenever you see the chest poking through his shirt. Notice anything? How about a hairy continuity error? He was totally hairless when he was tied up - cue a scene or two later, and there's a hairy chest! Ahh the things one notices sometimes... I just looked up screenshots for this post, and I was wrong! He's fuzzy! Oh, I should head over to the AA forums just to see if there's another 18-page topic on that subject. ;D

Porter Christ, Superstar!
(and to be fair, from afar, them chesticles do look smooth!)

The elusive chest hair is one of the amused comments that have been floating between me and the Squeeze for the past week, and technically also the previous two weeks, because we've both been watching the show and both have been rather underwhelmed. Oh yes, Strike Back has been our favourite choice of things to poke fun at recently. And I seem to have deleted the first two parts off the DVR by mistake, so now I'll definitely get the DVD (when it comes down in price a bit - I'm not desperate). It better have plenty of extra features!

Strike Back was predictable, clichéd and suffered from a script with more brawn than brains, plot that doesn't quite make sense... but at least the acting was good. Perhaps not in all cases and not all of the time, but Richard Armitage - wow, you da man, Rich! While in parts, I pitied him for having to act through some of the lines and events ("cringeworthy" is the word, I believe), the sixth and final episode really showed off his wonderful acting ability. The scene where he breaks down and talks of how his life has been since Basra was mindblowing, and I couldn't take my eyes off the screen. Riveting! Marvellous! Brilliant! Spectacular! Stunning! Downright awesome! And he didn't even take his top off.

Richard showing off his mad acting skillz! Ooh the angst! <3

The confrontation with Collinson was a bit of a let-down on the part of Collinson. Turns out he's just a scared man who made a huge mistake and that's it. No supervillain who wants to take over the world. What really happened in Basra and the aftermath was probably the most realistic of scenarios, unlike a quest for world domination, but with all that action and pretty ladies throwing themselves at Porter (okay, so just the one...), they could've gone the whole hog and turned it into a James Bond type story. They didn't. Fitting end, though, although I'm not quite sure how Porter's name can be wiped clean officially, considering the outcome. The Squeeze said they mentioned having "Porter gave Collinson his gun" on file, but it would just be one man's word against another's.

I'd love to swap with Collinson here. Umm, minus the violence.
I'm thinking more loving embrace. Because that would be hot.
"...I'll be in my bunk."
(*chuckle*)

The way the final episode ended, with Porter on the loose being America's Most Wanted... it seemed a bit naff, while at the same time really setting it up for a sequel. We shall see. The return of Super-Porter - if still played by Richard Armitage - will always be welcome. Just work on the script a bit more first, 'k? (Not that I've read the source material, so for all I know, it might be down to that, but hey.)

Ohh, I loved the female roadblock. Right giggle that was. :)

"Friends of yours, Baxter?"
"It's the Afghani wing of the Armitage Army. I believe they're yours."

All in all, Strike Back showed that Britain can do more than just perennial soaps, light-hearted sitcoms, delightful murder mysteries, brooding period drama and endless shows about antiques, gardening and cooking. Britain also does action! Well done. Just a shame the show as such wasn't all that interesting and felt a bit... well, like they could've done so much more with it. It could've been a brilliant show, but aside from great visuals, there was not enough substance. Important parts of characterisation got lost or not enough care put into them. Take Porter's unconvincing family life as an example. I mean, didn't his (ex?) wife die on the operating table in the previous instalment? All forgotten about, and he's off snogging with the pretty brunette! How does that work? RA fans will of course not be disappointed by seeing him star in a show where he gets the most amount of screen time, especially not as he kept losing bits of clothing a lot of the time. Every cloud has a silver lining...

High ho, silver lining!

Kudos to the wonderful repository that is RichardArmitageNet for the lovely piccys! :)

Tuesday, 18 May 2010

Strike Back #4

"How did they know the exact spot where they went off the tarmac?" said the Squeeze, looking at the Super Duper Master Kick-ass Tracking Person and his followers, who had just stopped their Jeep, jumped out and pointed into the bush (not necessarily in that order) at where Porter and friend had disappeared in a previous scene.
"My thoughts exactly," said I, and we had thus summarised the entire the episode.

 MacGyver would've known what to do with a car without wheels.
He'd get it running and get out of there in no time. Just sayin'.

Okay, so we know Strike Back is more eye candy than brain candy, but it just feels like the plotholes are expanding and multiplying. It's high budget, action-packed, boys with toys playing wargames, and so on. And it's not terribly interesting, no matter how lush Richard Armitage is. The script's not exactly clever and it feels cliché-ridden (the thing where the nun says something along the lines of he's come to help them, but she can't figure out if that's a good or a bad thing, or if Porter's good or evil, something like that - dear, oh dear) and stereotype. And I find Andrew Lincoln annoying. Is it him that's annoying or just every bloody character he ever plays?! (This one - annoying. Edgar Linton '09 - annoying. That bloke he played in Afterlife - annoying, but then again, so was the woman, so maybe that one doesn't count.) Porter's family life is brushed over so quickly all the time that it feels really unconvincing. They're trying to show Porter's this troubled bloke with a messed up family life and all, but all they're focusing their energy on is to show him being Action Man or G.I. Joe. While I certainly appreciate the number of times Porter flaunts his muscles (it keeps me awake, to be fair), I'm left wondering what Sky were thinking when they made it. There are a few funny lines in there, and when I say few, I mean "two" (roughly), and I can't even remember them. For the testosteronies out there, there's soldiers and guns and shooting and blood and fighting and all that sort of testosterone-fuelled stuff. For the oestrogenies, there's... well, there's RA with his top off being all heroic, but that's about it. I want more! I want a proper story! Is it too much to ask? Have I been spoiled by Spooks so that I now demand an intelligent and coherent storyline and not just a bunch of guys running around shooting at each other?

"I'm a lead farmer, motherf***er!"

So, what happened in episode four? Well, that's what confuses me. I was actually paying attention to these episodes (unlike the first two), and there just seemed to be a lack of a plot in episode four. Generally speaking, I suppose the plot was that Porter and his jailbreak buddy were heading to a rendez-vous point where they would be picked up, taught to whistle, knit a speedo, shave their legs (or armpits! Hah!) or something like that. Whatever. On the way, they were being hunted by some Zimbabweans, one being an expert tracker who never spoke and instead just gazed at the horizon in a mysterious Spaghetti Western type way and occasionally pointed somewhere. Porter and Sidekick encountered a school, were Big Damn Heroes for a bit, sent the nun and the schoolchildren on their way to find safety in their army buddies' camp and then the boys had a massive shootout with Friar Tuck and his army buddies.

Is it just me, or did Porter look a tad bit too gleeful here? You know,
in an "OMG, I can't believe I get to ride the shockwave! This is awesome!"
type way. He definitely looked like he was having a blast. [Err... sic.]

Part four just seemed a bit... dull, somehow. Maybe I'm just not the right target audience for this sort of thing. The whole soldier and shoot-'em-up storyline. Again, if it wasn't for RA, I'd be watching something else. Oh well. Sky have made another miniseries which will be airing soon, Discworld: Going Postal. I think it's fair to say I'll be enjoying that a lot more than I am Strike Back. With one exception.


Yup, that's the one. And what a sweet exception it is. Aahhh...

(Although, technically, he's more toned in That Robin Hood Episode than here. How does that work?)

Thursday, 10 September 2009

Wuthering Heights 2009 #2

TV episode review: Wuthering Heights #2 (2009), directed by Coky Giedroyc, adapted by Peter Bowker

Finally got around to watching the last of Wuthering Heights. Some rather good acting, I thought, particularly on Heathcliff's part. I was torn between wanting to kick him in the nuts and wanting to kiss him, which was interesting. In the other version I've seen, I just had no sympathy for him whatsoever, so well done there! I can even sort of understand why women fancy him. I'm still cautious, because he's still a raging PSYCHOPATH! Tom Hardy with long hair and cravat... well, wow. Very intense!

...Where was I?

I don't remember what happened in the end of the 1998 version, well... I remember who died, but not how, so the ending of this had me a bit surprised... while at the same time not. It made a lot of sense for it to end in that way. Gruesome as it is.

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